![]() The different sections of the choreography were assembled in post-production, and numerous cuts offer different perspectives, with Berkeley always seeking to edit and synchronize the movements to the rhythm of the music – for example, when the dancers raise and lower their arms in synchrony with distinctive chords. Berkeley’s water dance is a purely cinematic creation. The setting eventually returns to the couple’s duet on stage. The dancers never become entirely abstract forms, however, for the ornamentation is repeatedly interrupted by shots of individual faces. The ornamental impression is emphasized through the use of lighting cues that first depict the dancers’ bodies in black on a white ground and then in white on a black ground. As a result, their combined movements look like abstract, geometric, or floral ornaments in dance, similar to the lines and shapes featured in Oskar Fischinger’s Studien (GER 1929–1934). Berkeley’s trademark top shot, or direct overhead camera angle, is used to film the dancers in the swimming pool. The Tunnel of Love tracking shot through the dancers’ legs, for example, is taken underwater. Footlight Parade (1933), Human Waterfall scene 6,639 views Magnificent pre-code Hollywood, Footlight Parade (1933), Human Waterfall scene (This grandiose pre-code movie saves. Berkeley adapts his characteristic camera angles to each particular setting. In By a Waterfall, the girls play nymphs dancing a water ballet, initially at a waterfall and subsequently in an art deco swimming pool, in which they eventually form a human fountain. Berkeley frequently used dreams as a means to open up the theatrical stage into a spatially independent cinematic setting that allowed the chorus girls’ dances to take place in any kind of surroundings. The beau then falls asleep and dreams of his beloved as a water nymph. The climactic series of overhead patterns achieve an intensity of. Certainly, it ranks high with his other early pre-code films, and, in my opinion, well worth a look For me, By a Waterfall is the most ambitiously spectacular number attempted by Berkeley up to this point. The By a Waterfall routine begins as a stage duet sung by Ruby Keeler and Dick Powell against a scenic backdrop. By A Waterfall (Footlight Parade (1933)) song from Lullaby Of Broadway: The Best of Busby Berkeley at Warner Bros. Arguably, Footlight Parade is one of Berkeley‘s best directions. ![]() Set in the world of musicals, the film Footlight Parade (1933) easily incorporates song and dance numbers into its plot.
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